游艇之旅品牌设计
该项目为竞赛作品。暂无公司链接,设计简报中仅提供了品牌名称 The Taste Tour。
方向:游艇美食旅游。
市场定位:中端价格市场。
任务:为一个融合海上旅行、美食体验与休闲氛围的品牌打造视觉识别系统。
这里很快会出现内容,但现在还是空的。
该项目为竞赛作品。暂无公司链接,设计简报中仅提供了品牌名称 The Taste Tour。
方向:游艇美食旅游。
市场定位:中端价格市场。
任务:为一个融合海上旅行、美食体验与休闲氛围的品牌打造视觉识别系统。
本项目基于 Vitamonti 品牌的公开设计简报完成。
方向:山地度假与户外旅宿。
定位:高端。
任务:开发一套从 Zome 建筑与安第斯自然景观中汲取灵感的周边服饰系列。
优化 Atlas Compliance Partners 的视觉识别:完整标志、图形标识,以及适用于浅色和深色背景的辅助版本。
Goldizum 是一个珠宝项目:goldizum.ru 网站、视觉设计、商品摄影,以及 YouTube 频道内容。我为频道制作视觉包装,拍摄、剪辑并发布了 62 个视频,拍摄了 100 多件商品,并制作了其中一个热门视频。
临时纹身——在中国街头绘制临时纹身。
为 ZAMKO 设计的网页界面概念,重点覆盖用户进入产品的第一段路径:落地页、登录页和账户激活页。
完成内容:桌面端页面设计、视觉层级、登录流程,以及公共页面和授权页面的一致界面风格。
打开 Figma 设计
企业仪表盘界面重设计,重点提升 Power BI 风格分析页面的可读性和展示效果。
完成内容:桌面端仪表盘重设计、版面整理、视觉层级、指标分组,以及与原始参考界面的对比。
打开 Figma 设计
为我的 LinkedIn 个人主页制作的一组视觉帖子设计。
完成内容:帖子版式、视觉构图、字体排版,以及适合职业社交平台发布的一致视觉风格。
打开 LinkedIn 主页
发布在我的 Pinterest 主页上的一组已处理和整理的照片。
完成内容:照片筛选、色彩校正、画面清理、导出准备,以及公开作品集发布。
打开 Pinterest 主页
为 Project Zomboid 游戏场景制作的活动公告文档,灵感来自 War and Peace。
完成内容:活动结构、公告文本、角色扮演叙事框架,以及适合展示的文档排版。
打开文档
为企业视觉识别项目制作的演示文档,以结构化视觉案例的形式呈现。
完成内容:幻灯片结构、文档版式、视觉呈现,以及用于 Google Drive 分享的材料整理。
打开演示文稿
为 MAPFRE Caso02 案例准备的演示文档。
完成内容:幻灯片结构、视觉文档版式和演示排版。
打开演示文稿
为 MAPFRE Lab AI 项目准备的演示文档。
完成内容:幻灯片结构、视觉文档版式,以及面向 AI 概念的演示排版。
打开演示文稿
关于纹身创作的采访视频,通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、画面衔接和导出准备。
聚焦纹身作品和视觉细节的展示视频,通过预览画面和最终视频呈现。
完成内容:视频剪辑、节奏处理、画面衔接和导出准备。
通过预览画面和最终视频展示的纹身视频剪辑。
完成内容:视频剪辑、节奏处理、画面衔接和导出准备。
Editing case 01 for the ApologiAnna YouTube channel.
Editing case 02 for the ApologiAnna YouTube channel.
Editing case 03 for the ApologiAnna YouTube channel.
Editing case 04 for the ApologiAnna YouTube channel.
Short-form editing case 01 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 02 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 03 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 04 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 05 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 06 for Instagram, TikTok, YouTube, and Facebook.
Short-form editing case 07 for Instagram, TikTok, YouTube, and Facebook.
视频剪辑案例 01。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 02。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 03。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 04。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 05。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 06。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
视频剪辑案例 08。作品通过预览画面和最终视频展示。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
为沙龙准备的照片修图测试任务。
完成内容:画面清理、皮肤和表面修饰、色彩校正、细节优化,以及四张照片的最终导出准备。
一支关于历史上最高人物的短篇纪录片视频,使用历史影像素材,并通过清晰的节奏和视觉重点讲述主题。
完成内容:视频剪辑、节奏处理、场景选择、画面衔接和导出准备。
一个独立的测试任务,重点是照片修图和视觉编辑。
完成内容:原图校正、画面清理、色彩和色调调整、视觉优化,以及两张成品照片的最终准备。
YouTube 缩略图设计 01.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 02.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 03.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 04.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 05.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 06.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 07.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 08.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 09.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 10.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 11.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 12.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 13.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 14.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 15.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 16.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 17.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 18.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 缩略图设计 19.
完成内容: visual concept, readable text layout, image composition, and final export for YouTube.
打开链接
YouTube 频道视觉设计: Bedless.
完成内容: avatar, banner, visual fit for channel identity, and export-ready files.
音频单词替换案例.
完成内容: source analysis, target word timing, replacement planning, audio matching, and result comparison.
Original file
Result file
YouTube 频道视觉设计: Thorne Mason.
完成内容: avatar, banner, visual fit for channel identity, and export-ready files.
B2B 演示材料 01.
完成内容: scene layout, video visual materials, screen cleanup, and final preparation.
B2B 演示材料 02.
完成内容: scene layout, video visual materials, screen cleanup, and final preparation.
B2B 演示材料 03.
完成内容: scene layout, video visual materials, screen cleanup, and final preparation.
音频单词替换案例.
完成内容: source analysis, target word timing, replacement planning, audio matching, and result comparison.
Original file
Result file
用于下载和处理 YouTube、Instagram、TikTok、Twitch、Suno 等服务媒体的 Telegram 机器人。
功能:下载视频、音频、预览图、照片、头像、横幅和帖子媒体;视频转 MP3;时间线裁剪;音频转写;图片放大;移除背景;文档处理;队列和临时文件自动清理。
打开机器人
围绕紧张感与吸引力写成的短篇文案。
Evening, they are sitting on a bench in the park, everything around is quiet, the light of the streetlamp softly falls on their faces.
— Do you know that people can sometimes stay silent and still hear each other? — she said.
— And if I hear you even when you’re not nearby — what does that mean? — he asked.
She smiles.
— That you imagined me.
— And what if I imagined you too close?
She looks away, but stays near.
— Then… it’s dangerous.
— For who?
— For both of us.
A small pause. He leans slightly toward her.
— I wonder… can danger be kissed?
— It can… but after that it will never let go.
— And if I’m ready?
She almost whispers.
— Then maybe I’m not ready to stop being afraid.
They look at each other, their breathing mixes, but no one moves any further. He pulls back for a split second, as if saving this moment in his memory.
— Let’s leave danger for later for now.
— Yes… but I still feel it here.
She places her palm on her heart.
Pause. They both look into the darkness of the park, as if trying to distract themselves from what just happened.
— You know… danger isn’t always bad. Sometimes it’s the only thing that makes the heart beat faster.
She laughs quietly.
— You say it like you’re checking whether mine is still beating.
He leans a little closer.
— Is it?
— Too loudly. Even the streetlamp can probably hear it.
— Then let it be a witness.
She sighs.
— You are dangerously close to making me stop being afraid.
— Maybe this is the moment?
She looks down along her legs, tapping her toes, creating a rhythm. He leans slightly so that she sees his face with her peripheral vision. Slowly, he moves a part of her hair behind her ear and touches her cheek with the back of his hand. She doesn’t pull away, on the contrary, she turns her head toward his hand.
— If it is… don’t ruin it with words.
He smiles, removes his hand, but stays close.
— Then let’s just… remember it.
— Remember it. And maybe… one day confuse it with reality.
Everything around is quiet, only the rare rustle of leaves.
— And what if we confuse it right now?
She gets slightly embarrassed.
— And who would judge us for that?
— Except maybe this streetlamp.
— It has already seen too much.
He laughs slightly, his gaze remains on her eyes. The pause stretches. He doesn’t look away.
— Then, it seems… we are already on the other side.
She slowly exhales, as if letting something go inside, turning her head toward him. He keeps looking. From the light tension, he moves his body closer to her. The movement is light, almost weightless, like an accident that is too right to be accidental.
Around them is still the same silence, and only the streetlamp, with its soft distant buzzing, reminds them of its presence.
关于市场细分、注意力与影响力的策略文案。
How do you understand which segment you are in? Look at your product basket and the receipt after purchase. Even deeper analysis can be done if you stand near the checkout of a large grocery store and observe other people’s carts. Do you think marketing respects you?
Different segments have different rules and different laws of marketing.
In the mass market segment, due to extreme competition, marketing mostly works through direct pressure. People are literally being «pushed» products and services. Communication is built as a set of instructions or almost commands: «click the link», «watch the video», «buy the product». This creates an experience of an information attack, where the person has no space for reflection. Only to submit and react to a signal.
Task — How do you sell perfume? You are selling perfume bottles for a mass market, where the entire value is the smell itself, but due to competitors standing next to each other on the same shelf in a line, all scents mix in the air, and the individuality of each product disappears. How do you sell perfume?
In the premium segment everything is structured differently. The client is not directly attacked with information. Information is strategically designed in a way where the client’s attention becomes the number one priority. «But what about service quality?» — any sales manager would ask, and partially they would be right. In strategic terms, the marketer’s focus is always placed within the framework of attention control, where control is not understood as a manipulative way of directing the client, but as a pre-designed sequential cognitive load on attention, where the client freely moves through the experience and naturally encounters strategically placed elements that shape perception and define attitude through context. Why is that?
Ask yourself a personal question: «If you had unlimited money, what would be your number one priority?».
Task — How do you keep your hotel in the market? You are a marketer in a premium hotel located in the center of a large city. Your intelligence department reports that a Chinese clan nearby is planning to build two similar premium hotels, with a long-term strategy of pushing you out of the market through artificial competition between all parties involved. How do you keep your hotel in the market?
But what if I tell you this is still not mind games, even though the tasks are already complex. What if there is a segment above premium?
Human intelligence evolved because it was constantly facing complex problems. Over centuries we arrived at highly complex systems managed through departments and structures. Marketing is always one step ahead, because the marketer’s motto at any time is: «if you don’t move first, others will». Due to the rapid development of marketing, methods are constantly created and quickly die, because people adapt. So many selling techniques have been invented that even an average passive person starts sensing advertising before it appears, and to surprise such a person, a marketer has to go beyond their limits.
But if this «passive person» in context is not educated like, for example, a CEO of a monopolistic oil company, then how much further does a marketer need to push to sell to an educated person who values their attention, service, and does not tolerate mistakes?
This is a segment where a person perceives the informational space so clearly that they protect it with thick walls of an information bubble. Every access point to this person is carefully designed, and information is filtered in such a way that even an interesting offer from a marketer may never reach the company’s director. In this segment, the question is not «so what?», the question is «why won’t this pay off in the long run?».
Task — How do you sell oil? You are a marketer in a monopolistic oil production and sales company in Norway. You need to sell oil to a large refinery company in Germany. The price is identical across all suppliers, so competition is not in the product itself, but in trust toward the supply source and the stability of long-term contracts. How do you sell oil?
This task is interesting, so I want to share one of my solutions.
Let’s assume the intelligence department reports that the director has a son under 7 years old, and he likes LEGO. Let’s ignore why intelligence included this as useful information in the report. It may seem irrelevant — what does LEGO have to do with anything? But strategically, the child is the closest personal information node through which information can indirectly reach the director. If we successfully solve the task of getting a LEGO set into the child’s hands without raising suspicion, this vector can be considered a usable channel of informational influence.
So what does LEGO have to do with this?
Now imagine a situation where the child, as usual, comes to his father’s office, spreads LEGO bricks on the floor, and starts building as if nothing else exists. At the end of the build, the father comes to say goodbye before leaving for his important work and sees a constructed oil rig made of LEGO blocks, with a Norwegian flag waving on top.
At this moment, we can say that we have effectively created an informational impact inside a closed informational field. But let’s remove the illusion and look at reality critically: how realistic is this? It is realistic not because the probability is low, but because it follows the first law of street trade: «it is not what and to whom, but where and when».
Such micro-attacks are built across thousands of directions, in different forms, abstractions, and meanings, and it would be a major success if even one of them actually reaches the target.
And let me ask you one more: «Do you think marketing respects you?»